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A cut and painted T-shirt blocked off my distinguishing characteristics while I was surrounded by four other equally ambiguous faces covered by makeshift masks. We were being broadcast to horny observers across the globe from the former library of a five-classroom schoolhouse in rural Illinois.
Organized by curator Ruslana Lichtzier and her husband artist Ryan CoffeyThe Manual Project 1 selected six artists to produce five printed manuals to be contemplated, constructed, and discussed over the span of two days. The weekend waxed and waned with participants, many of whom drove an hour-and-a-half west from Chicago — a mix of invited artists, writers, art administrators, and one infant prepared to set up camp between cornfields and empty classrooms in Triumph, Illinois.
The early arrivers chose the order in which the group would tackle the printed manuals on Saturday afternoon, discussing factors such as estimated length of time, workload, and the combined talents it would take to complete each. I was able to participate in three of the manuals during my own hour visit.
To complete the manual we separated into two groups of three participants, each group subconsciously attempting to conceptualize the manual faster than the other. Only after getting kicked off of the webcam site by its operators did we realize the questionable nature of our masks and broadcasted images, with some voicing their uncomfortableness with having documentation of this act posted online. Some in the group feared we appeared somehow terrorist-like, which incited confused conversations about the implications of our participation and even authorship.
Were we responsible for these actions? Was the artist? The uncomfortable nature of not knowing what the artists envisioned for their manuals incited more dialogue, especially at t he Triumph School — a brand new project that openly voiced its confusion about its purpose in order to generate ideas about how they might grow and better serve the surrounding artist community.
All manual authors will be allowed to revise their work, in case the original completion of their manual did not capture the essence of what they were trying to demonstrate. These manuals will not be given the space to be performed again at the Triumph School, but rather serve as learning experiences for both author and participant — a way to see the gaps between intention and group understanding.
The Manual Project 2 will take place on the weekend of October 14 at the same location. We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming. Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library. While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful. This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.
Kate Sierzputowski is freelance writer based in Chicago. More by Kate Sierzputowski. Subscribe to our newsletter Get the latest news, reviews, and commentary delivered directly to your inbox.dating chat rooms online free
Up. Become a Member. The Sounds That Get Lost in the Shuffle We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming. The Profound Soul of Janet Cardiff and George Bures Miller While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful. Required Reading This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.
Kate Sierzputowski.Sex chat room Triumph Illinois IL
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